Slash
Sweet Child O' Mine Solos · inspirat en Guns N' Roses
High-gain Marshall tone with sustaining compression and tape echo. Signature Slash lead tone with thick overdrive, controlled sustain, and spacious echo for soaring solos.
Ampli
0–100 · 50 = a les 12- Pastilla
- Bridge
- Volum
- 10
- To
- 9
Pantalla
Efectes
4 actius- Compressorsustain 55 · nivell 60
- Porta de sorollllindar 40 · caiguda 22
- Ecotape echotemps 280ms · repeticions 28 · mescla 20
- Reverbspringcaiguda 30 · to 54 · mescla 25
Apagats: modulació
Cançons amb aquest so
Sobre aquest to
L'artista
Slash is one of the most influential lead guitarists of the 1980s and 1990s. His signature tone combined a Marshall Plexi amplifier with Gibson Les Paul guitars, creating the definitive hard rock guitar sound that influenced generations of players.
D'on surt el to
The Sweet Child O' Mine solo showcases Slash's technical mastery and emotional expression. His use of pentatonic scales, wide vibrato, and controlled feedback creates a tone that is both aggressive and musical. The combination of high gain and tape echo allows for sustain and spatial depth.
Context
Released in 1988, Sweet Child O' Mine became one of the most iconic rock songs of the era. Slash's opening riff and soaring solo cemented his status as a guitar virtuoso and made the song a staple of classic rock radio worldwide.
Com tocar-lo
- Vibrato Control Slash's signature vibrato is wide and expressive. Use your finger to bend the string and return it to pitch with a smooth, musical motion. Practice varying the width and speed of vibrato for emotional expression.
- Bends and Release Master full-step and half-step bends. Bend the string to pitch, hold, then release back to original pitch with control. Slash often bends into notes, creating a vocal-like quality.
- Sustain and Feedback With high gain and compression, sustain comes naturally. Let notes ring and sing. Position yourself near the amp to control feedback for dramatic effect—it's part of the tone.
- Dynamics and Picking Control note articulation through picking dynamics. Harder picks create aggression, softer touch allows for note blending. Vary picking intensity within phrases for musical expression.
Equip original
- Ampli
- Marshall Plexi 100 or Marshall JCM800
- Guitarra
- Gibson Les Paul Standard or Gibson EDS-1275 (double-neck for live performances)
- Pantalla
- Marshall 4x12 cabinet
- Notes
- High-gain tube amp pushed into natural breakup and distortion. The tone comes from the combination of the Les Paul's thick tone and the Marshall's thick saturation.
Mira i escolta
Què fa cada control
- Gain
- Saturació del previ. Més gain afegeix distorsió i sustain.
- Master
- Volum de sortida. Ajusta el volum sense canviar l'equalització.
- Greus
- Cos. Massa sona retrunyent; menys estreny el palm mute.
- Mitjos
- Presència de la nota. Més mitjos ajuden que el solo se senti.
- Aguts
- Brillantor i atac. Puja'ls per més mossegada, baixa'ls si xiscla.
- Compressor
- Iguala la dinàmica de la pua i afegeix sustain.
- Porta de soroll
- Talla el soroll quan no toques.
- Modulació
- Chorus o phaser: moviment i amplitud.
- Eco
- Repeteix el senyal. Temps i mescla defineixen l'espai.
- Reverb
- Ambient de sala, placa o auditori després de l'ampli.
Tons semblants
Valors aproximats de la comunitat, no presets oficials del fabricant. Els títols de cançons, artistes i models d'equip pertanyen als seus propietaris i s'usen només com a referència.