Slash
Sweet Child O' Mine Solos · inspirado en Guns N' Roses
High-gain Marshall tone with sustaining compression and tape echo. Signature Slash lead tone with thick overdrive, controlled sustain, and spacious echo for soaring solos.
Ampli
0–100 · 50 = a las 12- Pastilla
- Bridge
- Volumen
- 10
- Tono
- 9
Pantalla
Efectos
4 activos- Compresorsustain 55 · nivel 60
- Puerta de ruidoumbral 40 · caída 22
- Ecotape echotiempo 280ms · repeticiones 28 · mezcla 20
- Reverbspringcaída 30 · tono 54 · mezcla 25
Apagados: modulación
Canciones con este sonido
Sobre este tono
El artista
Slash is one of the most influential lead guitarists of the 1980s and 1990s. His signature tone combined a Marshall Plexi amplifier with Gibson Les Paul guitars, creating the definitive hard rock guitar sound that influenced generations of players.
De dónde sale el tono
The Sweet Child O' Mine solo showcases Slash's technical mastery and emotional expression. His use of pentatonic scales, wide vibrato, and controlled feedback creates a tone that is both aggressive and musical. The combination of high gain and tape echo allows for sustain and spatial depth.
Contexto
Released in 1988, Sweet Child O' Mine became one of the most iconic rock songs of the era. Slash's opening riff and soaring solo cemented his status as a guitar virtuoso and made the song a staple of classic rock radio worldwide.
Cómo tocarlo
- Vibrato Control Slash's signature vibrato is wide and expressive. Use your finger to bend the string and return it to pitch with a smooth, musical motion. Practice varying the width and speed of vibrato for emotional expression.
- Bends and Release Master full-step and half-step bends. Bend the string to pitch, hold, then release back to original pitch with control. Slash often bends into notes, creating a vocal-like quality.
- Sustain and Feedback With high gain and compression, sustain comes naturally. Let notes ring and sing. Position yourself near the amp to control feedback for dramatic effect—it's part of the tone.
- Dynamics and Picking Control note articulation through picking dynamics. Harder picks create aggression, softer touch allows for note blending. Vary picking intensity within phrases for musical expression.
Equipo original
- Ampli
- Marshall Plexi 100 or Marshall JCM800
- Guitarra
- Gibson Les Paul Standard or Gibson EDS-1275 (double-neck for live performances)
- Pantalla
- Marshall 4x12 cabinet
- Notas
- High-gain tube amp pushed into natural breakup and distortion. The tone comes from the combination of the Les Paul's thick tone and the Marshall's thick saturation.
Mira y escucha
Qué hace cada control
- Gain
- Saturación del previo. Más gain añade distorsión y sustain.
- Master
- Volumen de salida. Ajusta el volumen sin cambiar la ecualización.
- Graves
- Cuerpo. Demasiado suena retumbante; menos aprieta el palm mute.
- Medios
- Presencia de la nota. Más medios ayudan a que el solo se oiga.
- Agudos
- Brillo y ataque. Súbelos para más mordida, bájalos si chilla.
- Compresor
- Iguala la dinámica de la púa y añade sustain.
- Puerta de ruido
- Corta el ruido cuando no tocas.
- Modulación
- Chorus o phaser: movimiento y amplitud.
- Eco
- Repite la señal. Tiempo y mezcla definen el espacio.
- Reverb
- Ambiente de sala, plancha o auditorio después del ampli.
Tonos parecidos
Valores aproximados de la comunidad, no presets oficiales del fabricante. Los títulos de canciones, artistas y modelos de equipo pertenecen a sus dueños y se usan solo como referencia.