Flying in a Blue Dream
Shred · inspired by Joe Satriani
Bright shred tone with cutting lead clarity and sustaining compression for soaring leads
Amp
0–100 · 50 = noonGain
48–55
Bass
48
Mid
50
Treble
62
Master
to taste
- Pickup
- Bridge
- Volume
- 9
- Tone
- 8
Cabinet
Marshall 1962 Bluesbreaker 2x12Amp model: Marshall 2x12 · Amp slot BBRKRBritish
Effects
3 on- Compressorsustain 60 · level 65
- Echotape echotime 280ms · feedback 35 · mix 28 · bass 52 · treble 60
- Reverbplatedecay 22 · pre-delay 10 · tone 55 · mix 15
Off: gate, modulation
Songs with this sound
What each control does
- Gain
- Preamp drive. Higher adds breakup, sustain and distortion.
- Master
- Output level and feel. Balances loudness without changing the EQ.
- Bass
- Low-end body. Too much gets boomy; less tightens palm mutes.
- Mid
- Note focus. More mids help leads cut through; fewer sound wider.
- Treble
- Brightness and attack. Raise for bite, lower to soften harshness.
- Compressor
- Evens out picking dynamics and adds sustain.
- Gate
- Cuts hiss when you are not playing.
- Modulation
- Chorus or phaser: movement and width.
- Echo
- Repeats your signal. Time and mix set the space.
- Reverb
- Room, plate or hall ambience after the amp.
Similar tones
Values are community approximations, not official manufacturer presets. Song titles, artist names and gear models belong to their owners and are used for reference only.